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Notes
- Janet Kardon, Introduction to catalogue of 'Urban Encounters,' Institute of Contemporary Art, University of Pennsylvania, March 1980.
- Irving Sandler, ref. by Jeremy Rees,'Studio International,' July/Aug. 1972, Vol. 184, No. 946.
- Richard Koshalek, ibid
- Jeremy Rees, 'Studio International' July/Aug 1972 Vol. 184 No. 946
- William Tucker, ref. Alloway below/LI>
- William Turnbull, ref. Alloway below
- Lawrence Alloway, 'Studio International' Oct. 1972 Vol. 184 No. 948
- Arthur Danto, 'The Nation,' (quoting my notes - unsure of exact ref.)
- William Mitchell, 'Art in the Public Sphere,' pp. 3, pub. University of Chicago Press, 1992
- Lawrence Alloway, ref. 7. above
- Kate Linker, 'Public Sculpture,' 'Art Forum,' March 1981
- Michael Heizer, ref. John Beardlsey, 'Earthworks and Beyond,' pub. Abbeville Press, 1989, pp13.
- John Beardsley, ibid
- Most public art curators have since learned the importance of such breadth in public art practices.
- Jim Hirschfield and Larry Rouche, 'Artwork Network - A Planning Study for Seattle - Art in the Civic Context,' pub. the City of Seattle, 1984.
- Calvin Tomkins, 'The New Yorker,' Maarch 21, 1983 pp. 92-97. see also Dec. 3, 1984, pp.178-181.
- Barrie Greenbie, 'Space - Dimensions of the Human Landscape.' Pub. Yale University Press, 1981.
- Michel de Certeau, 'The Practice of Everyday Life,' pub. University of California, Berkeley, 1984.
- Suzanne Lacy, ed. 'Mapping the Terrain - New Genre Public Art,' pub. Bay Press, Seattle, 1995.
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