David Harding
dgaharding@hotmail.com
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Introduction
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About Public Art Index
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5-YEAR DRIVE-BY
Douglas Gordon in 29 Palms.
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MEANWHILE ARTIST
Recalling the work of Jamie McCullough.
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THE SCOTIA NOSTRA
Socialisation and Glasgow artists
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PUBLIC ART IN THE BRITISH NEW TOWNS
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MEMORIES AND VAGARIES
The development of social art practices in Scotland.
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MACLOVIO ROJAS
Social sculpture in Tijuana.
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Public Art - Contentious Term and Contested Practice
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Art and Social Context
Contextual art practice in education.
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VENICE VERNISSAGE - 2003
A visit to the biennale.
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MULTI-STORY
Art and asylum seekers.
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CULTURAL DEMOCRACY Ð CRAIGMILLAR STYLE
30 years of the arts in an Edinburgh housing estate.
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A SEA WITHOUT BOATS*
A visit to Havana 2005.
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GLENROTHES TOWN ARTIST 1968-78*
Chapter 6 of memoir.
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PASSAGES*
a suicide, a monument, a film
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Bolton, Richard
Art and opposition
Sculptur, May/June '92, p16-17
1992

The marginality forced on artists seems to have created an oppositional imperative on artists - polemics rather than analysis - confrontation rather than collaboration and solidarity with audience; the art world will play a marginal role only as a site for ritualised liberation; for a real conversation to take place between art and audience artists need to learn the art of thinking inside other people's heads.

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David Harding 2005 [Link to Pixelville. Services include design, photography, multimedia and Internet applications, website development and maintenance.]
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