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a a – INTRODUCTION
A SEA WITHOUT BOATS* a visit to Havana in 2005
ART AND SOCIAL CONTEXT contextual art practice in education
Audiatur et altera pars
Audiatur et altera pars
CULTURAL DEMOCRACY – CRAIGMILLAR STYLE. 30 years of the arts in an Edinburgh housing esate
DARTINGTON COLLEGE OF ARTS 1978 – 85 AND LECTURE TOURS OF AUSTRALIA AND THE USA
DR. ATL’S ‘OLINKA’. Notes towards a film – 2012
ENVIRONMENTAL ART AT GLASGOW SCHOOL OF ART
FIVE-YEAR DRIVE-BY Douglas Gordon in 29 Palms.
GLENROTHES TOWN ARTIST 1968-78.* part of an unpublished memoir
JOHN LATHAM – A eulogy at his funeral*
MACLOVIO ROJAS. social sculpture in Tijuana
MEANWHILE ARTIST. recalling the work of Jamie McCullough
MEMORIES AND VAGARIES. the development of social art practices in Scotland from the 60s to the 90s
MULTI-STORY. art and asylum seekers in Glasgow
OZ Odessey
PASSAGES – Walter Benjamin, a suicide, a monument, a film. 2006
PRAKTIKA – a critical workshop for artists in socially engaged art practice
PUBLIC ART – CONTENTIOUS TERM AND CONTESTED PRACTICE
PUBLIC ART IN THE BRITISH NEW TOWNS
PUBLIC ART INDEX. an annotated bibliography
STUDENTS WORK AT ‘CREATCITE’ – TOURS, FRANCE
The Original Scotia Nostra
THE SCOTIA NOSTRA. socialisation among Glasgow artists
The Turner Prize and other Awards by ex-students of Glasgow School of Art
VENICE VERNISSAGE – 2003.* a visit to the biennale
WHO TOOK THE (HE)ART OUT OF THE ART SCHOOLS?* 2004
WORK AS IF YOU LIVE IN THE EARLY DAYS OF A BETTER SOCIETY’ collaborations between artists and young people.

Talbot Rice Gallery – Where Language Ends. Birrell and Harding. March – May 2015

Format ImagePosted on November 23, 2015November 23, 2015Author dharding

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